Nabokov Upside Down. Eds. Brian Boyd and Marijeta Bozovic. Northwestern University Press, forthcoming February 2017.
Watersheds: Poetics and Politics of the Danube River. Eds. Marijeta Bozovic and Matthew Miller. Academic Studies Press, 2016.
Digital Humanities and Russian and East European Studies. Ed. Marijeta Bozovic. Special issue, Russian Literature (forthcoming 2017).
International Nabokov Studies in Translation. Ed. Marijeta Bozovic. Special issue, Nabokov Online Journal, vol. 8 (2014).
My Nabokov. Ed. Marijeta Bozovic. Ulbandus vol. 10. Special issue, Ulbandus: Columbia University Slavic Review, vol. 10 (2007).
“From Onegin to Ada: Nabokov and the Transcultural Imperative.” In Nabokov Upside Down. Eds. Brian Boyd and Marijeta Bozovic. Northwestern University Press, forthcoming February 2017.
“Performing Poetry and Protest in the Age of Digital Reproduction: Roman Osminkin.” In The Shrew Untamed: Cultural Forms of Political Protest in Russia. Eds. Birgit Beumers, Alexander Etkind, Olga Gurova, and Sanna Turema. Routledge (forthcoming 2016).
“Nabokov’s Moving Images.” In Nabokov in Context. Eds. David Bethea and Siggy Frank. Cambridge University Press (forthcoming 2016).
“Introduction: River Futures.” Co-authored with Matthew Miller. In Watersheds: Poetics and Politics of the Danube River. Eds. Marijeta Bozovic and Matthew Miller. Academic Studies Press, 2016.
“The Arrest of Ratko Mladić Online: Tracing Memory Models Across Digital Genres.” Digital Icons 12 (2014).
“Poetry on the Front Line: Kirill Medvedev and a New Russian Poetic Avant-Garde.” Zeitschrift für Slavische Philologie 70.1 (2014). Reprinted in “Poetry after Language,” for Stanford University’s online ARCADE project (2015). Second reprinting in The Idea of the Avant-Garde and What it Means Today, second edition. Ed. Marc Léger. Manchester University Press (planned publication 2016).
“Nabokov and the Critics’ TOOL.” In Shades of Laura: Vladimir Nabokov’s Last Novel The Original of Laura. Ed. Yuri Leving. McGill-Queens University Press, 2013.
Introduction to After Yugoslavia: Post-Yugoslav Cultural Spaces and Europe. Ed. Radmila Gorup. Stanford University Press, 2013.
“Zenit Rising: Return to an Avant-Garde.” In After Yugoslavia: Post-Yugoslav Cultural Spaces and Europe. Ed. Radmila Gorup. Stanford University Press, 2013. Reprinted in Camenzind 14 / Kamenzind 4 (March 2014).
“Love, Death, Nabokov: Looking for The Original of Laura.” The Nabokov Online Journal Vol. 5 (2011).
“Oblomov and the Grand Tour: Edifying Travel and How We Read Goncharov’s Novel.” Trans. “Bol’shoe puteshestvie Oblomova: Roman Goncharova v svete prosvetitel’noi poezdki.” In Novoe Literaturnoe Obozrenie No. 106 (2010).
“The Danube and The Ister.” In Festschrift for Radmila Gorup. Ed. Slobodanka Vladiv-Glover. Slavica (forthcoming 2016).
“Introduction,” International Nabokov Studies in Translation. Ed. Marijeta Bozovic. Special issue, Nabokov Online Journal, vol. 8 (2014).
“Dušan Kovacević” literary biography for Encyclopedia of Serbian Authors, 2009.
“On David Albahari’s Drugi jezik (Second Language).” In World Literature Today (January 2005).
“The Other Russian Literature: Viktor Erofeev’s Russian Flowers of Evil.” In Ulbandus 7 (2004).
“The Decadent Anna Akhmatova? A Virtual Tea.” Multi-author piece. In Ulbandus 7 (2004).
“Review: Anita Starosta’s Form and Instability: Eastern Europe, Literature, Postimperial Difference.” NOVEL (forthcoming, 2016).
“Review: Will Norman’s Nabokov, History and the Texture of Time.” In Comparative Literature 68.1 (March 2016) .
“Review: Nikita Nankov’s Posmodernizam i kulturni izazovi.” In SEEJ 51.2 (Summer 2007).
Popular Reviews of Art and Culture
“Outside the Tent: Ludmila Ulitskaya’s Novel and the End of an Era.” Los Angeles Review of Books (August 2016).
“The Ark Sinks: Alexander Sokurov’s Francofonia.” Los Angeles Review of Books (8 July 2016).
“Russian Hardcore and the American Henry.” Los Angeles Review of Books (4 June 2016).
“Film Notes: The Ister (2004).” Black and Blue Danube project (March 2013).
“Film Review: Sergey Dvortsevoy’s Tulpan (2008).” In Slovo, Vol. 21.1 (Spring 2009).
“Performance Art and the Art Market: What We Write About When We Write About Art.” PopMatters (8 April 2009).
“Thaw: Russian Art from Glasnost to the Present. The Guelman Collection.” PopMatters (2 April 2008).
“Review: Le Plaisir.” PopMatters (23 January 2009).
“Samuel Beckett: Beyond the Endgame.” PopMatters (27 June 2008).
“Review: Last Year at Marienbad.” PopMatters (25 April 2008).
“Review: Salo, or the 120 Days of Sodom.” PopMatters (24 October 2008).
“Review: Brain Upon the Brain!” PopMatters (10 October 2008).
Art Catalogs and Literary Introductions
“Russia in Exile.” Essay for Artists in Exile, exhibit catalog, Yale University Art Gallery, Yale University Press (forthcoming 2017).
“Militant Reach: Leftist Art after State Socialism.” Introduction to Vertical Reach: Political Protest and the Militant Aesthetic Now, exhibit catalog, Artspace Gallery, New Haven, 2015.
Poetry and critical prose by Pavel Arseniev, Dmitry Golynko, and Roman Osminkin. “Poetry after Language” colloquy, ARCADE (2016).
“The Russian Protests in Global Context” (with Alexei Penzin, Maria Chehonadskikh, Ilya Matveev, and Katharine Holt). Editing and translations. South Atlantic Quarterly (Summer 2013).
“Avant-Gardes and Émigrés: Digital Humanities and Slavic Studies.” Association for Slavic, East European, and Eurasian Studies NewsNet (September 2015).
“The Brodsky Lab: Or, How I Stopped Worrying and Learned to Love the Digital Humanities.” All the Russias’ Blog (12 March 2015). http://jordanrussiacenter.org/
“From YU to EU in the language classroom: Teaching Bosnian/Croatian/Serbian in the Language Classroom.” Association for Slavic, East European, and Eurasian Studies NewsNet (October 2013).
PROJECTS IN PROGRESS
Avant-Garde Post–: Radical Poetics after the Soviet Union (book manuscript in progress)
“The Reflections of Olga Sedakova’s Long Modernist Century” (festschrift)
“For Marx: Russian Cinema and the Left after State Socialism (Cinema 8)
“Avant-Gardes and Émigrés: Digital Humanities and Slavic Studies” (for NHC collected volume)
“Nabokov’s Translations and Canon-Formation” (for Translation Studies)
“Nabokov after Russian Literature” (for Transnational Russian Literature)
“Art Must be Communist: Keti Chukhrov’s Many Voices” (for Comparative Literature)
2016 – . Co-Editor, Russian Literature, University of Amsterdam
22015 – .Curator, “Poetry after Language,” ARCADE digital scholarship salon, Stanford University
2012-2015. Associate Editor, The Nabokov Online Journal, Dalhousie University, Canada
2005-2007. Editor-in-chief, Ulbandus (Columbia University Slavic Review), Columbia University
2004-2005. Associate Editor, Ulbandus, Columbia University
2001-2002. Poetry Editor, The Harvard Advocate, Harvard University